Thursday, December 26, 2013

Every Time I Think I'm Out, The 90s Pull Me Back In

So I pick up Fantastic Four Unlimited #5 (1994) from The Quarter Bin, thrilled that I finally had tracked down one of the Frightful Four stories I didn't own.

And then I open to the back to find this...

Damn you, 1990s. Damn you to hell.

To answer the anticipated questions:

*The pin-up is by Brian C. Kong (pencils) and Mike DeCarlo (inks).

*Reed's not pictured there because he's dead. Dead, deceased, shuffled off the mortal coil, singing with the choir invisible, DEAD. (Spoiler alert: he got better).

*Ben's wearing that helmet because Wolverine had recently mauled Ben's face during a fight. A guy prone to berserker rages with deadly weapons on his hands--who would have thought?

*Yes, that is really the costume Sue was wearing at the time. And Power Girl thought she had boob windows. Sigh...

Tuesday, December 24, 2013

Season's Ungreetings!!

Continuing our long-running Christmas tradition:

Have a great holiday, everyone.

We're off tomorrow, but we'll be back Thursday with more cow-town puppet show high tech comedy hijinks!!

(PS--don't forget that today is New Comic Book Day this week...)

Monday, December 23, 2013

Manic Monday Triple Overtime--Same Direction

Need an idea for a last-minute Christmas gift?

Yes, it's 1984, and Menudo-Mania has indeed hit the U.S.!

So just hop into that old time machine, send in a buck, and get a Menudo single that surely is a collector's item 30 years later!

Too bad the cute-boy-band phenomenon died out forever soon after....

Ad from Mighty Crusaders#9 (1984)

Manic Monday Bonus--Well It *Is* Better Than Bentley Wittman

What's in a name?

Some prison guards are giving Bentley Wittman a bit of a hard time...



I wonder how many other crooks in the Marvel Universe have done this...of course, it would make it kind of difficult when you're on the lam from your latest debacle against the Fantastic Four, and you're trying to find a cheap motel room to hide in, and your ID says "The Wizard." And your bank accounts say "The Wizard," so where are you going to hide your ill-gotten gains? And...

From Fantastic Four Unlimited #5 (1994)

Manic Monday--Ray Palmer Is No Robin Williams!!

It's interesting how various myths and legends got started.

For example, in the very first Atom story involving Professor Hyatt's "Time Pool," Ray Palmer proves that he's ridiculously reckless for a reputable scientist...

So of course, he ends up in Ye Olde Arabia, pursued by a falcon...


...and, of course, the bird drops the lamp into the hands of its rightful owner, Sinbad's grandson (!)...

..so, of course the boy will rub the lamp...


And after a series of adventures with an evil thief and a lost cave full of Sinbad's treasure and other tomfoolery, Atom returns home, and...

Sorry, no, I'm putting my foot down. No, no, no.

Just no.

From The Atom #2 (1962). Did you ever notice that, for a hero whose shtick is shrinking, Atom spends an awful lot his stories time traveling or facing time-based villains? What's up with that?

Sunday, December 22, 2013

Tales From The Quarter Bin--Wander!!

Listen up, cowpokes...yer about to hear about the oddest consarned owlhoot ever to roam the Wild West:

Who, you may be asking? Well, let the very poorly written caption tell you:

Wait, what?

Wander (real name: WNNDWAR) is an intergalactic salesman from Sirius V (or Sirius 5, depending on who's scripting) who gets stranded on Earth in the Old West!

And why does he talk that way? Well, Sirians first visited Earth in the days of Shakespeare, so that's how they learned their English!

I should be noted that the quality of his "Olde Englishe" varied wildly from issue to issue...

Wander ended up with a traveling medicine show, with W. C. Fields "Professor" Phineas T. Bloat and grizzled prospector Gabby Hayes Jeb Dooley. Hijinks ensued...


See? High hilarity!!

Oh, but let's not forget space science!! Wander has a magic scientific whip!


Magnotryolic? In other stories it was atomic, or positronic, or ionic, or whatever other science word they could come up with that month...

And of course, cue the sad David Banner music at the end of each issue...


Now, if you travel back to Wander's origins, you will be stunned to see that he was created by Denny O'Neill (under his frequent Charlton pen-name Sergius O'Shaugnessy) and Jim Aparo!!

Early on, he was stronger than we mere humans, although that was mostly forgotten later...

And he would occasionally strip down to his space suit (apparently lost at the dry cleaners by later issues...)


Ye-haw!!!

Wander, well, wandered the West as a back-up in The Cheyenne Kid #66-87 (1968-1971).

I'm not sure where the rights to this fella ended up--I've never been clear if DC ended up with everything Charlton, or just the heroes. But admit it--you want to see a story with this guy and Jonah Hex, right?

Today's panels were taken from the Cheyenne Kid # 83 (1971) and #68 (1968)

Saturday, December 21, 2013

Spoiler Saturday--Why Mark Waid Isn't Allowed To Work At DC Anymore

From this week's Daredevil #34:


Wow. Can it really be that simple?

For nearly 3 decades post-Frank Miller, Daredevil writers seemed locked into a never-ending cycle of one-upsmanship, a continuing game of chicken as to who could make Matt Murdoch the most miserable (I'll see your "have his wife driven insane by super-villain so he can never see her again" and I'll raise you "possessed by a demon and heading a murderous ninja clan.").

And then along comes Mark Waid, saying "enough is enough, folks."

So, yeah, it really can be that simple. Bad stuff can happen to your hero. He can face trials and struggles. He can acknowledge all of the stuff that has gone before. But he doesn't have to be a broody nimrod 24-7.

No wonder DC didn't want Waid around. He's the anti-nu52.

Friday, December 20, 2013

Friday Night Fights--Just One PLINKK Style!!

Look, Batman gets all the cheers for his "just one punch" fight with Guy Gardner way back in the "Bwa-ha-ha" days of the Justice League.

Well, I'm here to tell you that he completely ripped that off from Bashful Benjamin Grimm. And what's more, the Thing needed Just. One. Finger.

Which takes us to tonight's Friday Night Fights.

The Watcher caused an wall of flames to envelop the world (to hide it from the Silver Surfer)...but the madding crowd figures it must be the Human Torch's fault. So they use a firehouse to bushwhack him.

But you don't mess with one of the Fantastic Four without attracting more trouble...









PLINKK!!!!!

Spacebooger is now dying to see a Batman vs. Ben Grimm story...

The Thing shows great restraint in Fantastic Four #48 (1966), by Stan, Jack & Joe.

Now is the time for you to go and vote for my fight. Why? Because Ben has three other fingers he could use...and you don't want that. So go vote!!!


Thursday, December 19, 2013

Wednesday, December 18, 2013

More Human Than Inhuman

You know who I really can't stand...in fact, have never been able to stand?

I don't really grok the Inhumans.

Of all the Kirby/Lee creations, none leave me colder, none have me more willing to give an issue or series a pass, than the damned Inhumans. And many a creative team I admire has tried their hand at these games, and they still haven't managed to make me care.

Why? Well, I've been giving that a lot of thought lately, and I've come to a few conclusions--conclusions that lead me to believe that maybe, just maybe, Marvel may be taking steps to finally make this a palatable concept.

The first problem I've always had is the frankly one-dimensional characterization they've been given over the years. Seriously, beyond the names and powers, what do you have?  No jobs, no hobbies, no friends...just ciphers.


Gorgon? He's Hercules with goat legs. That's it!

Triton? No one has a clue what his character might be, and he's fairly useless. He's Aquaman without the good looks, but more clueless.

Crystal? She's been a member of the Fantastic Four, an Avenger, she married a mutant--she should be one of those characters that belongs to every clique, who can pick up a phone and connect with a contact in any corner of the Marvel Universe. Yet they can't even define her powers, let alone give her a personality.

Karnak? Well, they certainly have tried to turn his power--the ability to find the flaw or weak point in anything--into a personality. Unfortunately, that's 100% of his personality, as any appearance in the past 15 years sees him yammer on about the flaws in everything--building, people, society...he's pretty much the ultimate one-track mind guy.

Medusa? Haughty and arrogant and...well, haughtier and more arrogant. Take away the hair, and there's no there there.

Maximus? He's just Loki without the keen fashion sense, the Joker without any of the cool factor. Every damn time it's the same thing. Oooh, Maximus is mad. Ooh,  Maximus has a plan to take over. Ooh, Maximus is thwarted--pat him on the head and put him back in his cell until next time. Lather, rinse, repeat. (Reminder--in his first appearance, Maximus tried to murder every single human on Earth. Yet he's still tolerated because of his bloodline...)

And Black Bolt? Sheesh, the guy drives me nuts. I understand the shtick, but nearly 50 years without a single thought balloon or speech balloon? He can't even get one of those patented 21st century self-narrating captions? The entirety of his characterization comes from other people talking about him. And if I have to hear one more time about the immense burden he has to bear, I'm going to barf.

Plus, c'mon--there are no telepaths among the Inhumans? All of this supposedly advanced technology, and you can't even come up with a whiteboard and a dry erase marker? You can't find a way to communicate electronically? (Wait, let me guess--"the merest tap of his fingers on a keyboard could rip the planet asunder"!) Dude, if Stephen Hawking can communicate, you can too. This "silent burden" is just a lame pose...get over yourself.

Of course, the haughtiness and self-importance are all part of another problem: the royalty. Virtually every Inhumans story has revolved entirely around the "royal family," to the exclusion of any semblance of anyone else. And so we get tale after tale about the the burden of rule, about how ungrateful the lower castes are about all the sacrifices Bolt & company have gone through, about how superior the Inhumans are to humans, yada yada. And unlike, say, T'Challa, the monarch of Attilan and his inbred family make little effort to connect with the common folk, or humans. Perhaps it is just me, but to read the Inhumans has been like watching Upstairs, Downstairs with only the upstairs, a regular dose of "feel sorry for the poor rich folk despite the fact that they enjoy every advantage." Pshaw! It's as overbearing as a whole family of Namors, just nowhere near as interesting.

But it gets worse. Because the Inhumans leap past the whole area of questionable class politics straight into some very, very uncomfortable social doctrine.

The society of the Inhumans is a rigid "genocracy," with your place in the culture determined entirely by your genetic heritage. If you're not chosen to undergo Terrigenesis, you're a second class citizen (in fairness, it should be noted that some versions have shown that all Atillans undergo the Terrigenesis ritual, while others have said that only those of the proper genetic lineage get to, so this point is a bit inconsistent). You're not allowed to have children without the permission of the Genetic Council.

And if you want to advance in society? Good luck. Black Bolt's family doesn't take applications--"Bred to rule, engineered to be royalty" says the text recap page in Realm Of Kings: Inhumans #1--and the whole culture is a rigid caste system, where your genes and your Terrigen mutation determines you role, sorry, no exceptions. (Youngsters--it's like Divergent, except here the oppressors are the good guys!)

Oh, yeah, and they created a slave race of inferiors to live underground and do all of society's dirty work. Don't worry, the Alpha Primitives are bred for it--they love being oppressed. And once they were "freed," well, it was found that they just couldn't handle freedom, they willingly went back to the toil and submission they were bred for!! But it's OK, it's in their (inferior) genes to like it!!

Seriously, that's some extremely repugnant stuff there, no matter what direction you want to take the underlying metaphor.

Oh, yeah, and they just up and decided to go and conquer the Kree, because they were born for that.

So a completely undemocratic monarchy that practices eugenics, has an inviolable caste system that doles out benefits based solely on inviolable physical characteristics, keeps a slave race for all manual labor (but they WANT to be slaves!!), and who feel the right to go out and conquer because they're superior.

And these guys are heroes?!?!?!?! They're a bloody race of Khan Noonien Singhs!!

However, and I say this very tentatively, this whole Inhumanity event may finally be making some moves in the right direction, half a century later.

Yes, the premise is totally a duplicate of the return of mutants at the end of Avengers Vs. X-Men--dues to an outside stimulus, lots of random "normal" humans suddenly are transformed into powerful beings of another race. So, not a lot of imagination spent on the premise.

Yes, Matt Fraction's last solo event, Fear Itself, was pretty darn dire, and Inhumanity #1 read like a 20-page illustrated Wikipedia article titled "Stuff You Already Know."

But...
...but...the decision to blow up Attilan (what, the 8th or 9th time it has been "destroyed"?), as well as some of the things discussed in Inhumanity #1, have some promise. Removing the royal family from control of everything, and spreading out Inhuman status to thousands of people who didn't know that they were of Inhuman ancestry, who didn't have millennia of indoctrination as to how superior they were or how there was only one way that things could work or how Black Bolt was all that...that could be the first step in correcting many of my problems with the Inhumans.

As Karnak says in Inhumanity #1, "Without Attilan, no Inhuman has a home, or a capital. Or a King..." and later, to Medusa, "If you want to save Inhumanity, Your Majesty--you must forget everything you think you know. You will ignore your instincts and forget your past. Otherwise, all is lost."

So, maybe, this could be a clean break for the concept of the Inhumans, a fresh start, a rejection of the stagnation of the same old royal family, of the arrogant genetic elitism and caste systems and slavery and "bred to rule" and all that offensive nonsense. Maybe.

Maybe not, though. We still don't know how they're going to sufficiently distinguish this Inhuman malarkey from the mutant malarkey going on simultaneously. Will your average Marvel-616 citizen know--or care--about the difference betwixt a mutant and an Inhuman? Why would they react any differently? If they've traded the Inhuman status quo for "Mutants Lite," it won't mean new life for the concept, but rather eventual irrelevance.

So the jury is out. But for now, they have me paying a bit of attention...

Tuesday, December 17, 2013

That Time Batman Was A Total Fraidy Cat

Someone seems awfuly freaked out by the possibility of the supernatural...

That's a Jim Starlin drawn cover, BTW.

And when you combine the "I'm freaked out" posture with the "please don't kill me" face and the "Zoinks, Scooby" font, you come to the inescapable conclusion...

...that Batman is crapping his tights.

This is especially odd as the story this cover purports to represent does have the Caped Crusader fighting dude in the sewer wearing some kind of demon masks, but that's just a disguise--they never claim to be demons, they're obviously human, and Batman never for a second acts freaked out.

Hopefully, this cover found it's way to Earth-1 from Earth-Prime somehow, and Batman's friends regularly tease him about it...