
This is my
favorite Superman comic of all time.
OK, OK, it
isn't. And it's not even a particularly good comic, at that. Horrendous cover, lame villain, the odd '70s
DC pseudo-science, and
talky, talky talky.
But the thing is, this issue represented a
small step forward for DC, albeit a baby one. You see, people speak about the "
Silver Age" and "
Bronze Age" as if they were monolithic eras that applied to all comics, or even all comic companies, uniformly.
But
Marvel was Bronze-aging it long before DC was; DC had to be dragged
kicking and screaming into the
1970s (with some obvious exceptions, such as
Green Lantern/Green Arrow). For most of their books, the DC editorial staff's sole concession to being more "
modern" was merely to be
less completely batshit insane than the '60s, without actually
improving the subject matter, and thus, becoming
more boring.
But this Superman story showed a
glimmer of self-awareness, some ability to look at itself in a
meta and
self-referential way, that DC hadn't often shown before. Hence, I
LOVE this story (even if it is boring as all hell).
What's the
first thing that every hack comedian, movie critic, or wise-ass says about Superman? "
How come nobody recognizes him as Clark Kent? It's just a pair of glasses!!" Yes, it is a valid point (although
no more valid than wondering how a domino mask would hide
Robin or
Green Lantern's identity). But DC
never chose to acknowledge the objection. Until this issue!!

In this script by
Marty Pasko ("
based on a story concept by Al Schroeder III"!!), we start with
Clark asking himself the same damned question!! Wait a minute? A DC hero in 1978 questioning his status quo?? After
40 years?? In a
Julie Schwartz book?!?!
Wha...?!?Clark ponders this conundrum as
Metropolis is menaced by the
Spellbinder, a re-tread one-shot
Batman villain from a decade earlier. He's
hypnotizing Metropolis citizens into committing crimes for him. So
Kal-El takes to the airwaves
with gaint-flying TV sets, and uses his powers of
super-hypnosis to make them able to resist the villain.


Later, while he's changing back to Clark Kent, he's
caught dressing:

Strangely enough, though, it doesn't go as you'd expect:

WTF? Well, in
19,567 expository panels, we learn that people actually physically see Clark Kent differently than the
Man of Steel. He gets the
Planet court artist to whip up some sketches:

Which
inevitably leads to the conclusion:

But that
couldn't work, except:

As you may recall, Clark had to make his glasses from the window of the
Kryptonian rocket that took him to
Earth, because simple Earth glasses always melted when he used his heat vision. So,
ipso facto:

And so when Superman super-hypnotized everyone to resist hypnosis, he
inadvertently ended (albeit temporarily) the effect that made his Clark Kent disguise work!!
Brilliant!!Now, I shouldn't
oversell this story: it's not as if
Jimmy Olsen started using heroine or
Lois Lane died. But back in the
halcyon days of 1978, it was quite the revelation to see DC actually analyze any of their set-ups "
realistically," or to
seriously answer fan questions rather than dismissing them in a glib letter column response. I mean, the Al Schroeder III who submitted the story concept must have been a fan submitting a story or suggesting one in a letter, right? Actually,
yes--
here's his homepage, where he's doing online comics these days, and describing himself as a "letterhack" who "met his wife on Julius Schwatrz' Superman letter column!" Damn, I love the internet!
Anyhoo, I don't know that this story was
ever mentioned again, or if they picked up the concept post-Crisis. But next time you hear some idiot roll out the
hackneyed "How can glasses disguise Superman?" line, just smack 'em down with, "They answered that
30 years ago, schmuck--get some new material!!"