Anyway, what if, instead of an omnipotent alien race, we had, say, the Phantom Stranger as the judge? And Charles Manson as the prosecutor? And Ted Bundy as the defense attorney? And the inmates of Arkham as the jury?
It might go a little something like this:
I wasn't a reader of Spider-Man at this time, so this issue--as much of it as I could follow--is all new to me. But it definitely is akin to what we've seen from the rest of Marvel 1995--a mini-event (that was really part of a maxi-event) in its own little fiefdom.
At this point Spider stories were locked in even tighter unison than Superman books during the "shield" days. Each story ran through all 4 books--Amazing, Spectacular, Adjectiveless, and Web Of--each with its own creative team, but each just working on different chapters of the same story. It was literally impossible to read just one Spider-Man book if you wanted to follow what was going on.
How insular was the Spider-kingdom at this point?? You no longer got Marvel Bullpen Bulletins...you got Spider-Man bulletins!!
Amazing Spider-Man #403 was part 2 of 4 of The Trial Of Peter Parker. Kaine (who, at this point had not yet been revealed as a clone of Peter Parker's) had been going around killing Spider-villains, but unfortunately leaving his fingerprints behind--which, of course, were the same as Peter Parker's. D'oh!!
So Peter is arrested for murder and on trial right now. Peter's other clone (sigh), Ben Reilly, is standing in for him at the trial, while Peter tries to hunt down Kaine and bring him to justice, and prevent Ben from being convicted.
Unfortunately, Peter and Kaine ran afoul of...the Judas Traveller!! Huh? Who he? As described by sometime Spider writer Glenn Greenberg, "no one – not the writers, not the editors – seemed to know who or what the hell Judas Traveller was. He was seemingly this immensely powerful, quasi-mystical being with amazing abilities, but what was the real deal with him?" Just think of him as the Phantom Stranger in Marvel drag, you'll get the idea. He would show up, offer and do seemingly impossible things, and then vanish.
This time, he ambushed Spider-Man and Kaine while they were fighting, and dragged them to the sub-basement beneath Ravencroft, Marvel's usually-forgotten attempt at their own Arkham. And then Peter wakes up, to a parade of faces...
But all is (kinda sorta) explained on our splash:
Of course, it gets stupider:
Kaine, for one, isn't taking this crap:
Meanwhile, at the real trial, Mary Jane is having a tough time defending Peter while she's on the stand:
Meanwhile, the asylum trial goes pretty much as you'd expect--the villains whine about Spider-Man:
So, the fact that Kaine was willing to sacrifice himself proved that Spider-Man was good?!?! What a crock of #$%^!! Peter would have been willing to leap into a dogpile to prevent any skel from getting murdered--does that prove that every villain is good, because Peter would risk his life to save him?? Plus, Kaine was essentially rescuing himself, so that's kind of invalidates your asinine theory--did the Traveller somehow not know Kaine was Peter's clone?!?!?! AAAAAAAAAAGGGGGGGGGGGGHHHHHHHHHHH!!!!! How lame can this ridiculous story be?!?!?!
You know, after those Classic Star Trek stories, I prayed we'd get a Next Generation story where we'd go and find the Metrons' planet and blow the living frak out of those arrogant bastards...that's how this story leaves me, wanting to hurt people...
Breathe, snell, breathe...
Before he leaves, Judas Traveller does does do one solid by Parker:
ELSEWHERE IN THE MARVEL UNIVERSE:
OK, I'm stretching this tie-in in a little bit...but the recent Spectacular Spider-Man cartoon was run by Greg Weisman, and Greg was also the co-creator producer of THIS cartoon:
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Gargoyles originally aired from 1994-1997, and was a ridiculously ambitious and wonderful animated series, with complex and sophisticated continuity and a heavy emphasis on characterization. Damn, this show was good.
Season One
Look, I don't want to oversell the show, except I'm going to. It's awesome. So if you want an insane cross between sorcery and science, evil clones and good robots, the true story behind MacBeth and A Midsummer Night's Dream with Brent Spiner as Puck (!), King Arthur, 20th century cops fighting the fairy invasion of NY, insane billionaires marrying exotic super-criminals, and more swooping than you can shake a stick at, you really need to give this series a shot.
3 comments:
Gargoyles was truly awesome. Jonny Quest level awesome.
Snell, I love your looks back at these moments in Marvel history. So much so, that I've been going back to read the others. Doing so, I noticed something odd:
Marvel comics in the 1960s were much more serious, adult, edgy, grim and gritty than they were in the 1970s.
Marvel in the 70s looks positively Silver Age compared to the 60s.
Odd.
Except for the stuff that doesn't make sense, this is pretty much the plot of the mini-adventure that came with the Batman RPG (a stripped down version of the DCHeroes RPG) featuring the Joker.
Sadly, the comic version of Gargoyles doesn't match up well to the cartoon. I picked up most of the issues before the series died without notice and your not missing anything. (Only a small few were even good, and not by much.) Stick to the shows.
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