And I should note, this post is a massive SPOILER ALERT for all 12 people who a) still care about Countdown, and b) still haven't read #32. But then again, it's not really a spoiler at all.
I should make clear, although I'm going to rag on the storytelling in this issue, I'm not dissing Dini/Bedard/Giffen/Barrionuevo per se. Rather, I'm giving a scathing review to how the marketing of this portentous mini-series is helping to destroy the actual (somewhat pathetic) telling of it.
We have known, for literally months, that Eclipso was going to tempt Mary Marvel into evil. We've known because we've been told again, and again, and again. It's been part of the promotional material. And not just somewhere more "obscure", like an interview in some magazine or a random comment made at a con. Nope, this is stuff that has been inside the very comics DC has had us reading for months.
*It's been in promotional posters (WWMMD?), and on two page spreads ("and there shall come and ending...").
*More than 2 months ago Dan Didio spilled it in a DC Nation column.
*Last week, Elisabeth Gehrlein did it again in the DC Nation column.
*As if that weren't enough, the 2-page center book promo spread, also in this very issue of Countdown (not to mention available at comics shops for weeks), shows it explicitly.
So there's no way any sentient being could be reading DC comic books could not already know that Eclipso is tempting Mary Marvel.
And what does DC give us as the "surprise reveal," in a full page splash, no less, on the final page of this week's Countdown?
Oh my God. You mean Eclipso is back? How could we ever have known? What. a. shocker. Oh, wait, no it's not, THE AD IN THE VERY CENTER OF THIS ISSUE ALREADY TOLD US, you putzes!!
Deep breaths, Brian, deep breaths.....
As I said, maybe Dini et. al. didn't know DC would be blowing the so-called surprise. Then again, they've been doing it for months, so it's hard to credit that. So we're left with these options:
*Dini et. al. didn't know the shock ending was spoilt, and nobody in DC editorial bothered to say, "Um, guys, this really isn't going to be a surprise...maybe you can punch up a slightly different ending."
*DC editorial didn't know Dini was going to end the issue that way (given the state of editing at DC these days, it's pretty certain editors aren't even reading a lot of the books before they go to press...).
*Everybody knew, but didn't give a hairy rat-fart about whether the ending worked or not. Countdown has become the Contractual Obligation Album of comic book series. We know it doesn't work, we're not even going to try, but the contracts have been signed and we have to finish this, so let's just do it with as little effort as possible. Seriously. If this series were so important to DC, they would have taken the same care to avoid spoiling the end of this issue as they did the Arrow/Canary Wedding Special. Yeah, that wasn't great, but at least they cared enough not to give away the surprise twists in all the ads and advanced solicitations. With Countdown, they just didn't give a damn, and disrespected the story and the fans.
It's bad enough that absolutely nothing happens (and VERY SLOWLY) in this series. But when something finally does happen, it's something they've spoiled themselves months ago. Bravo, DC. Well played.
Man, I'm glad I bailed out on this mess a couple of months ago. I saw where this was heading early (Flopsville)...and I don't know whether to feel ticked off or sorry for the hapless DC editorial crew. They really don't seem to know where they're heading or what they want the end result to be.
ReplyDeleteI sorta see the problem in the opposite way...the know where they're heading, but because they made the mistake of committing to another 52-issue weekly series, and don't have nearly enough story to get there, it's like Chinese water torture. Padding, repetition, page-killing...I swear the Dick Tracy newspaper strip moves faster.
ReplyDeleteThe whole project might have gone better if, instead of trying to replicate 52, they had decided to do a series of mini-series, a la Seven Soldiers.
That wouldn't have solved all of the problems, but it would have allowed more sensible pacing and sufficient attention for the plotlines they're trying to develop, and not require a one-year attention span before they get to Final Crisis.